Fact #159957
When:
Short story:
Working on the song Pay Your Dues, The Rolling Stones come to the end of seventeen days of recording at Olympic Sound Studios, London, England, UK, Europe. The track will eventually become better known as Street Fighting Man.
Full article:
Keith Richards (guitarist, Rolling Stones) : Early on, when I had played the tape of my melody for Mick, his lyrics were about brutal adults. We recorded them and called the song, "Did Everyone Pay Their Dues?" But we weren't that crazy about the results, and the lyrics underwent several rewrites once we saw what was going on in the streets in London and Paris in 1968. While we were in the studio, Mick had been at a huge demonstration against the Vietnam War in London's Grosvenor Square in March. And we were both in Paris in May during the violent protests by students demanding reforms. The French cops were pretty nasty about it. As we traveled around, Mick and I would look at each other and realize something big was happening in two major capitals of the world and that our generation was bursting at the seams.
Mick knew that "Dues" needed an overhaul that better matched what was going on. I came up with the line, "What can a poor boy do" and threw it out to Mick. He completed the thought with " 'Cept to sing for a rock 'n' roll band" and he wrote the rest of the new lyrics in the studio. That's how we often worked. One of us would have a piece of a lyric that sounded interesting, then hand it off to the other to get things going.
I love the songwriting process, but I really don't like writing by myself. I love the bounce of one person's ideas off the other. Mick wrote down a ton of lines. Then we tore the lines into strips and moved them around. Reams of pages were flying around—and some of them wound up burned [laughs]. Eventually they took shape and we laid down the vocal tracks.
Like any of our songs, "Street Fighting Man" not only had to hold together musically and tell a story but it also had to work for a certain bunch of guys who played a very specific way. We had to make sure that what we came up with was something the other guys could get behind. For instance, if Charlie had turned up his nose at what we came up with, I knew the song wouldn't have worked. But he loved it.
(Source : interview by Marc Myers, The Wall Street Journal, Dec 11, 2013)
Tweet this Fact
Mick knew that "Dues" needed an overhaul that better matched what was going on. I came up with the line, "What can a poor boy do" and threw it out to Mick. He completed the thought with " 'Cept to sing for a rock 'n' roll band" and he wrote the rest of the new lyrics in the studio. That's how we often worked. One of us would have a piece of a lyric that sounded interesting, then hand it off to the other to get things going.
I love the songwriting process, but I really don't like writing by myself. I love the bounce of one person's ideas off the other. Mick wrote down a ton of lines. Then we tore the lines into strips and moved them around. Reams of pages were flying around—and some of them wound up burned [laughs]. Eventually they took shape and we laid down the vocal tracks.
Like any of our songs, "Street Fighting Man" not only had to hold together musically and tell a story but it also had to work for a certain bunch of guys who played a very specific way. We had to make sure that what we came up with was something the other guys could get behind. For instance, if Charlie had turned up his nose at what we came up with, I knew the song wouldn't have worked. But he loved it.
(Source : interview by Marc Myers, The Wall Street Journal, Dec 11, 2013)