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The musical revue Artists And Models Of 1927, is playing at The Winter Garden Theatre on Broadway, New York City, USA, during a run of 151 performances.Lee Sims records Meditation and Some Of These Days for Brunswick Records in Room No2, 799 Seventh Avenue, New York City, USA. The music is primarily piano with some incidental violin.
Max Fisher And The California Orchestra record Maybe I'll Baby You for Columbia Records in New York City, USA.
Brousek's Band records Vonne Fialky, Dédeckovy námluvy, A Ja Som and Na Zdar for Okeh Records in Chicago, Illinois, USA.
The Elio Rietti Jazz Band records Caxorro and Ya... Ya... for Victor Records in Buenos Aires, Argentina, South America.
Arthur Kylander records Neekeri Mailla Afrikassa, Paltaresso Vihtori, Yilopplas Suomesta and Nyt Mina Reissaan Vanhan Maahan for Victor Records in Liederkranz Hall, New York City, USA.
The Frankie Masters Orchestra records The Voice Of The Southland and Everywhere You Go for Victor Records in 952 North Michigan Avenue, Chicago, Illinois, USA.
Ewen Hall, a male vocalist, accompanied by string quartet and piano, records The Sweetheart Of Sigma Chi and Lonesome That's All, for Brunswick Records in Room No1, 799 Seventh Avenue, New York City, USA.
Johnny Hamp And The Kentucky Serenaders record The Waltz Of Love and To-morrow for Victor Records at 952 North Michigan Avenue, Chicago, Illinois, USA.
Blues singer Coley Jones, accompanying himself on guitar, records Frankie And Albert for Columbia Records, in Dallas, Texas, USA.
Willie Mae McFarland, a female vocalist accompanied by tuba, guitar and piano, records Lost Man Blues and Jump Judy Blues for Columbia Records in Dallas, Texas, USA.
Nan Tomlinson Barbash records A Heart That's Free for Victor Records in Camden, New Jersey, USA. Victor ledgers indicate that the master recording was "personal"; it was made on commission or not intended for release.
Johnny Marvin records Is She My Girl-Friend (How-de-ow-dow!) and From Midnight Until Dawn, for Victor Records in Liederkranz Hall, New York City, USA. The recording ensemble comprises Johnny Marvin (vocal, ukulele), Jack Shilkret (piano), Michael Mosiello (cornet) and Andy Sannella (clarinet).
The Dallas String Band records Dallas Rag and Sweet Mama Blues for Columbia Records in Dallas, Texas, USA.
Gertrude Perkins records No Easy Rider Blues and Gold Daddy Blues for Columbia Records in Dallas, Texas, USA.
Lewis James and Elliott Shaw, a male vocal duet with orchestra, record The Lord Is My Shepherd and Crucifix for Columbia Records in New York City, USA.
Jazz/dance band The Duke Yellman Orchestra records Dear On A Night Like This, I've Been Longing For A Girl Like You and Hooray-Hooray! It's Ray-ray-raining for Edison Records in New York City, USA.
Martha Copeland and her Smokey City Trio record Wylie Avenue Blues and Everybody Does It Now for Columbia Records in New York City, USA.
The Tom Stacks Orchestra records S'Wonderful and Maybe I'll Baby You for Okeh Records in New York City, USA.
Harmonica player William McCoy records Mama Blues, Train Imitations and The Fox Chase for Columbia Records in Dallas, Texas, USA.
Blues vocalist Hattie Hudson, accompanied by pianist Willie Tyson, records Doggone My Good Luck Soul and Black Hand Blues for Columbia Records in Dallas, Texas, USA.
Jazz/dance group The Golden Gate Orchestra records Make My Cot Where The Cot-cot-cotton Grows, Tell Me Little Daisy and For My Baby for Edison Records in New York City, USA.
Jazz/dance band Los Castillians record Nicanor and Son Grupos for Brunswick Records in Room No2, 799 Seventh Avenue, New York City, USA.