Fact #194921
When:
Short story:
The Rolling Stones release a new single, As Tears Go By, in the USA on London Records. It will peak at No6 in the Billboard Chart.
Full article:
Keith Richards : We thought, what a terrible piece of tripe. We came out and played it to Andrew [Oldham], and he said "It's a hit." We actually sold this stuff, and it actually made money. Mick and I were thinking, this is money for old rope.
(Source : interview in Life magazine, 2010)
Keith Richards : Suddenly, 'Oh, we're songwriters,' with the most totally anti-Stones sort of song you could think of at the time, while we're trying to make a good version of (Muddy Waters') 'Still A Fool.'
When you start writing, it doesn't matter where the first one comes from. You've got to start somewhere, right? So Andrew locked Mick and myself into a kitchen in this horrible little apartment we had. He said, 'You ain't comin' out,' and there was no way out. We were in the kitchen with some food and a couple of guitars, but we couldn't get to the john, so we had to come out with a song.
In his own little way, that's where Andrew made his great contribution to the Stones. That was such a flatulent idea, a fart of an idea, that suddenly you're gonna lock two guys in a room, and they're going to become songwriters. Forget about it. And it worked.
In that little kitchen Mick and I got hung up about writing songs, and it still took us another six months before we had another hit with Gene Pitney, 'That Girl Belongs To Yesterday.' We were writing these terrible Pop songs that were becoming Top-10 hits. I thought, 'What are we doing here playing the f--king blues, and writing these horrible Pop songs and getting very successful?' They had nothing to do with us, except we wrote 'em. And it took us a while to come up with 'The Last Time.' That was the first one we came up with where Mick and I said, 'This is one we can lay on the guys.' At the time we were already borrowing songs from the Beatles - 'I Wanna Be Your Man' - because we were really hard up for singles. So they gave us a hand. In retrospect, during the '60s the Stones and the Beatles were almost the same band, because we were the only ones in that position.
(Sour ce : interview in Guitar Player magazine, 1992)
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(Source : interview in Life magazine, 2010)
Keith Richards : Suddenly, 'Oh, we're songwriters,' with the most totally anti-Stones sort of song you could think of at the time, while we're trying to make a good version of (Muddy Waters') 'Still A Fool.'
When you start writing, it doesn't matter where the first one comes from. You've got to start somewhere, right? So Andrew locked Mick and myself into a kitchen in this horrible little apartment we had. He said, 'You ain't comin' out,' and there was no way out. We were in the kitchen with some food and a couple of guitars, but we couldn't get to the john, so we had to come out with a song.
In his own little way, that's where Andrew made his great contribution to the Stones. That was such a flatulent idea, a fart of an idea, that suddenly you're gonna lock two guys in a room, and they're going to become songwriters. Forget about it. And it worked.
In that little kitchen Mick and I got hung up about writing songs, and it still took us another six months before we had another hit with Gene Pitney, 'That Girl Belongs To Yesterday.' We were writing these terrible Pop songs that were becoming Top-10 hits. I thought, 'What are we doing here playing the f--king blues, and writing these horrible Pop songs and getting very successful?' They had nothing to do with us, except we wrote 'em. And it took us a while to come up with 'The Last Time.' That was the first one we came up with where Mick and I said, 'This is one we can lay on the guys.' At the time we were already borrowing songs from the Beatles - 'I Wanna Be Your Man' - because we were really hard up for singles. So they gave us a hand. In retrospect, during the '60s the Stones and the Beatles were almost the same band, because we were the only ones in that position.
(Sour ce : interview in Guitar Player magazine, 1992)