Fact #169191
When:
Short story:
Kate Bush is interviewed by Paul Gambaccini for BBC Radio One in London, England, UK, Europe.
Full article:
Kate Bush (diary entry for Flexipop magazine) : One hell of a day. I get up at about half ten. I don't have breakfast - I never do. Just a cup of tea. The first thing on the agenda is an interview with Paul Gambaccini. Before I leave I read my post, which is mostly business. Most other mail goes to my fan club, which is really well organized now. Fantastic. My driver picks me up at about noon. We go to a small studio in Soho. I can't drive. Apart from my driver I go everywhere unaccompanied. The reason I use the driver now is that it was getting ridiculous with cabs, it really was. It's so much easier now, it's just wonderful.
About three o'clock we go from Soho to Round Table at the Beeb, which Gambaccini also does. We get there about four-thirty. A couple of kids outside - one who's always there every time I go to the BBC. His name is Keith. Must be in his early twenties. He always shows me things I've never seen before, like posters out of record shops. Old magazines. A picture of Pink Floyd before Gilmour was in it - I went WOW. I was really surprised, you know - they were all autographed and everything. I sign a few things, and then go in.
I don't have a go at anyone on the show. There's never any reason to do that. After, I have to go down to Abbey Road studios to re-mix the new single. We get there at about eight-fifteen. About this time I have my first bite to eat of the day - a toasted sandwich and chips. And of course, lots of cups of tea. The only way I can tell if I need food is when I feel sick. I smoke more at night, but I still usually get through less than twenty a day. John Player Special at the moment. We're still at it at three a.m. and I feel fine, but the engineer wants to call it a day. He's a great engineer, and I know he can finish it tonight, so I talk him into it. Come seven a.m. I'm not exactly perky, but I'm still not at all tired. I'm very much a nocturnal creature. My driver picks me up and I get to bed about seven-thirty a.m.
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About three o'clock we go from Soho to Round Table at the Beeb, which Gambaccini also does. We get there about four-thirty. A couple of kids outside - one who's always there every time I go to the BBC. His name is Keith. Must be in his early twenties. He always shows me things I've never seen before, like posters out of record shops. Old magazines. A picture of Pink Floyd before Gilmour was in it - I went WOW. I was really surprised, you know - they were all autographed and everything. I sign a few things, and then go in.
I don't have a go at anyone on the show. There's never any reason to do that. After, I have to go down to Abbey Road studios to re-mix the new single. We get there at about eight-fifteen. About this time I have my first bite to eat of the day - a toasted sandwich and chips. And of course, lots of cups of tea. The only way I can tell if I need food is when I feel sick. I smoke more at night, but I still usually get through less than twenty a day. John Player Special at the moment. We're still at it at three a.m. and I feel fine, but the engineer wants to call it a day. He's a great engineer, and I know he can finish it tonight, so I talk him into it. Come seven a.m. I'm not exactly perky, but I'm still not at all tired. I'm very much a nocturnal creature. My driver picks me up and I get to bed about seven-thirty a.m.